How to build an EPK for Canadian music media
Build a clear electronic press kit with a current biography, focused listening links, usable photos and reliable access. Includes a media handoff checklist.
Last reviewed 2026-10-30 · quarterly review cadence
Build an electronic press kit for Canadian music media around a current artist biography, the release or story you are pitching, focused listening links, usable images and a clear reply contact. Organize everything behind one tested link, then adapt the message and supporting material to the recipient’s published requirements rather than sending every asset.
Key takeaways
- Lead with the current story and the material that supports it.
- Make assets easy to identify, open and download when needed.
- Keep the kit current without inflating achievements or audience figures.

What job should this press kit do?
An EPK should help the recipient understand the artist and find the material needed for a specific professional decision. Apple Music for Artists describes it as a centralized resource for industry contacts, including journalists. For a media approach, decide which current release, performance or story gives the recipient a reason to look now. Creative Okanagan’s Canadian workshop guide also asks artists to consider the intended audience. Our suggested starting brief is one sentence naming the recipient, the proposed topic and the assets that support it. This keeps a kit for editorial research distinct from an application form or a technical package required for a booked show.
How do you make the artist biography useful?
Write a short biography that makes sense without a separate introduction, then offer a longer version for readers who need more context. Creative Okanagan recommends beginning with a paragraph that stands alone; Apple recommends third-person writing and keeping both short and long versions handy. Identify the artist, musical approach, relevant background and current project with facts you can verify. Remove claims that require the recipient to guess what “breakthrough” or “international acclaim” means. If you prepare English and French versions, keep names, release dates and achievements consistent while allowing natural phrasing in each language. Neither version needs to reproduce the complete history of every rehearsal and lineup change.
Which assets should a media recipient be able to find?
Choose material that represents the current project rather than sending every file you own. Apple’s guidance covers music, videos, photographs and notable moments; MusicNSW’s April 2026 resource recommends high-resolution portrait and landscape photos. These are useful planning references, not universal specifications imposed on Canadian journalists. The table below is our suggested asset map. Where a recipient publishes an image size, file type or other requirement, record that separately and follow it. Give each item a clear name so someone can distinguish an approved press photo from an album cover or an old tour poster without opening a series of nearly identical files.
A practical media asset map
Scroll horizontally to read the table.
| Asset | Purpose | Check before sharing |
|---|---|---|
| Selected music | Let the recipient hear the project quickly. | Link opens the intended recording; release name and date are clear. |
| Press photographs | Provide usable visual choices for the story. | Identify files, photographer credit and any agreed usage conditions. |
| Video | Show a relevant performance or visual presentation. | Choose a representative link and label what it shows. |
| Release information | Support accurate names, dates and context. | Remove superseded dates and identify the reply contact. |
How should you organize the link and folders?
Use a structure that lets the recipient find text, music and images without asking you to explain the folder. Creative Okanagan discusses a website or cloud folder accessible through one link, while MusicNSW illustrates a shared-folder approach. Neither source makes a particular paid platform necessary. Our suggested organization separates the biography, release information and approved visual assets, with a short note identifying the current version. Test the link as an outside recipient would, including any required downloads. For unreleased material, decide the intended audience and access deliberately. A private working folder containing invoices, personal details or rejected drafts should not become your press kit by accident.
Test the recipient’s path
- Open the link without being signed in to the owner’s account.
- Find the current biography and the exact recording being pitched.
- Try the image download and check its filename, credit and instructions.
How do you adapt the kit to a Canadian media shortlist?
MusicList’s music media directory displayed 151 listings when checked on October 30, 2026. The category mixes radio, publications and other editorial formats, so use it for discovery rather than as a mailing list or a claim that everyone wants the same assets. Inspect an outlet’s recent work and current official approach instructions, then select the material that supports a plausible story for that audience. Put the reason for contacting that recipient in the message. A full EPK can remain available as background while a shorter release note or a particular image answers the immediate request. A directory presence does not establish editorial interest or permission to ignore a published contact policy.
What should you review before sharing the kit again?
Review dates, team contacts, active links and the evidence behind notable achievements. Apple recommends keeping the kit current, and Creative Okanagan emphasizes recent activities rather than a permanently growing archive. Our suggested final pass checks that the current release is easy to identify, old announcements are removed or clearly dated, and the text agrees with the audio and image folders. Ask another person to navigate the kit without coaching and note where they get stuck. If a release date changes, update the kit and any recipient who is relying on the previous date. A polished design cannot repair contradictory information or an inaccessible recording.
Frequently asked questions
Does an emerging artist need awards and press quotes to have an EPK?
No. Creative Okanagan explicitly notes that emerging artists do not need every suggested element. Present the music, identity and current project accurately, using the material you actually have. An empty awards section adds little, and invented recognition makes the kit less trustworthy rather than more complete.
Should I include my entire discography?
An EPK should make representative work easy to find. Apple recommends highlighting songs that are popular or authentically represent the artist; that does not require putting every recording at the top. Choose a clear entry point for the current project and keep deeper catalogue material secondary when it helps the recipient.
Do I have to buy a press-kit platform?
No particular paid service is required by the guidance used here. MusicNSW describes a zero-cost shared-folder option, and Creative Okanagan discusses website and cloud-folder arrangements. Choose a method you can maintain and test. The recipient’s access to useful, current assets matters more than using a particular vendor.
What if I want to include audience numbers?
Apple includes analytics among potential EPK elements. If you use them, identify the metric, platform and reporting period so the reader can understand the figure. Treat that labeling as an editorial accuracy practice, and avoid presenting followers as listeners or cumulative totals as proof of attendance in a particular city.